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I Will Make You Pay (ARC) Page 5


  narrow my eyes and I am wondering if I remembered to

  put my sunglasses in my bag.

  It was a rush, packing up.

  When the police team confirmed that the light bulb

  was missing from my house, everything seemed to step

  up a gear. My landlord said he hadn’t sent anyone round;

  hadn’t given anyone access to a key. It made no sense…

  Tom was grilled. The neighbour with a spare key

  was grilled. My colleagues at the paper were questioned

  too. Every decent person I know seems suddenly to be

  a suspect while the real culprit is heaven knows where.

  But then – a new complication. The police discovered

  that a junior member of staff at the estate agents has been

  secretly breaking protocol for over a year. She’s been let-

  ting workmen take keys to rental homes without being

  accompanied, to save her time. Strictly against the rules.

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  Teresa Driscoll

  I’ve had a few repairs over the past year – central heating

  and so on. It basically means anyone could have copied

  a key to my house. There was a huge meltdown over

  it – disciplinary action and a flurry of activity to change

  locks for a string of properties.

  The police keep me updated but don’t seem to have

  any real leads yet. The cheese wire enclosed with the

  flowers is readily available on the net. A cheap import

  from China with hundreds of reviews online. I checked

  them myself. One couple said they bought a set with

  handles to cut their wedding cake, would you believe. I

  was shocked; I had absolutely no idea that you could buy

  it so easily. That anyone would want to.

  There were no fingerprints at the house or on the

  cake box. The courier was paid cash with a false name

  for the delivery and there is no joy yet regarding the fake

  florist’s business card left on my car. Seems my ‘stalker’ is clever. Going to a lot of trouble. DI Sanders seems certain

  they’re reading my columns and using the information

  in them to wind me up. The question is why. Who the

  hell have I upset so badly?

  Leanne and I have rather worn ourselves out with the

  dilemma over whether we need to move Mum to a dif-

  ferent nursing home. It was Mum who chose Devon – to

  be near the sea – rather than London. She likes it. The

  police theory is that this man, whoever he is, doesn’t know

  where she is. Was just twisting the knife by mentioning

  her in his message after reading my columns.

  I really don’t know what to think; I just want to be

  sure that my mother is safe.

  Tom meantime is losing all patience with the police

  and has arranged for me to see some private detective

  tomorrow. A guy based in Exeter who comes highly

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  recommended. Like Leanne, Tom wants the reassurance

  of extra security while I’m on my own. I think he would

  have preferred me to move in with him immediately but

  I’m still not keen. I mean – he has to work in London so

  often these days that it wouldn’t really be a solution. He

  can’t be responsible for me 24/7; I wouldn’t want that. And

  I’m not ready to live with him. With anyone. Not again…

  No. For now, this Dorset house is a better option.

  It’s like Fort Knox. Downside of being in the money, I

  guess – worrying about burglars. Though heaven knows

  how I’m going to juggle the geography once I’m back at

  work. The office for the South Devon Informer is between Plymouth and Ivybridge, about twenty minutes from my

  rented house. But it’s a long haul from Dorset.

  ‘How long did you say you’re taking off work?’

  I turn to Leanne. It’s as if she can read my mind – or

  maybe my expression. And I’ve been going on about it

  because it’s the thing that is bugging me the most. My

  editor has insisted I take all the holiday I have spare. Lieu days – the lot. He says it’s sensible all round. But I feel

  this is like giving in – like punishing me.

  ‘If it were up to me, I’d be back at work tomorrow.’

  ‘ Stubborn.’

  ‘No. Not stubborn. I just want to see the Maple Field

  House campaign stories through. They’re planning the

  demolition right now. There’s loads happening and I don’t

  see why I should have my life so disrupted. Have him

  stop me doing what I love.’

  ‘It’s only temporary. Just go with it, Alice. Please. Keep

  your head down and keep yourself safe until the police

  find this guy. Like I said, you can always come and stay

  in London, if you don’t mind the chaos.’

  ‘You know I hate London.’

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  Teresa Driscoll

  ‘Great journalist you make. A reporter who hates

  London.’

  ‘And what does that mean? The world doesn’t revolve

  around the capital, you know. There are really good stories

  everywhere. Just as important. More so, actually, because

  they get overlooked. Never make it into the nationals.’

  Leanne gives me one of her glares.

  ‘Sorry. Didn’t mean to rant.’ It’s another thing my

  mother and sister tease me about. On one of your soapboxes.

  We are nearing the nursing home now, and I get the

  familiar contradiction of love and dread all mixed up

  together. I love seeing my mother. Hate seeing her here.

  And I thought it was cancer that smokers needed to

  be afraid of…

  * * *

  Inside we sign into the visitors’ book and I’m pleased to

  see a member of staff posted on reception, monitoring the

  main door and checking guest passes. I’m reassured yet again

  about the security in place. The back door has a special

  lock which requires a PIN. All of this was explained when

  we first checked out the place for Mum two months back.

  ‘Your mother is safe with us.’ The woman with Wendy

  on her badge is smiling. ‘We look after all our guests.

  Security is always a priority.’

  I smile back, but am afraid to speak in case my voice

  cracks.

  Leanne is holding the bunch of peonies and I look at

  them – a gorgeous soft pink – remembering our garden

  back in Hastings when we were little. Peonies in every

  colour you can imagine.

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  I Will Make You Pay

  Mind the flowers with your tennis, you girls. You mind the peonies…

  ‘Ready?’ Leanne takes a deep breath for us both. She

  touches my arm and I just nod, trying not to think of that

  single flower on my car. The peonies tied with cheese

  wire in the cake box…

  My mother is in her room, sitting in a deep red, high-

  backed chair, looking out on to the garden. There’s a book

  on the small table next to her and a glass of water. She is

  dressed in a lovely pale aqua blouse and matching skirt, her

  hair up in a neat chignon. It is only as she turns and smiles that the evidence of her new reality slaps my face. The

  heaving of her chest with every breath. The little tubes into her nose. The oxygen parapher
nalia alongside her chair.

  ‘Hello, my darlings.’ She is beaming but has to pause

  to take a few breaths. Just three words can be a strain these days. She smiles but I read the frustration in her eyes that

  she wants to say so much more but cannot.

  And so we move across to kiss her cheek in turn,

  and she reaches out towards the flowers. Next we play

  the game where for the most part we talk and she lis-

  tens – joining in when she feels that she can. Each of us

  pretending that this is normal. Two daughters filling the

  silence because their mother cannot talk and breathe at

  the same time anymore.

  ‘Gorgeous, aren’t they? Every colour I see, I think

  – that’s my new favourite. Until I see the next colour

  Leanne finds.’ My voice has this almost sing-song tone.

  Trying too hard. I pause to check myself.

  ‘Me too. Though I have to say this baby pink is hard to

  beat.’ Leanne moves forward so our mother can stroke the

  petals for a while. Then she points to the corner. A shelf

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  Teresa Driscoll

  with books and two empty vases. Leanne nods and moves

  across to busy herself with the arrangement near the little

  sink. She takes a pair of scissors from her handbag, and I

  think how typical of my sister. To remember to bring scissors.

  We chatter, the two sisters, about our lives, editing

  out anything but the pleasant. I do not, of course, men-

  tion my stalker. Instead we say that Leanne and I fancied

  a little break together and so are at the Dorset house,

  catching up.

  ‘Not falling out?’ My mother’s expression says more

  than her words. She has learned that she can manage just

  three at a time. Words. Her speech is like waltzing now.

  One, two, three…

  ‘Not too much. I haven’t broken anything yet. Smashed

  any mirrors.’

  My mother is almost laughing but has to stop herself.

  The breathing even more of a struggle when she’s excited.

  Try to keep things fairly neutral, the nurse said once. I know it’s hard, but too much excitement can bring on an episode.

  I wondered what she meant by an episode. We soon

  found out.

  My mother has end-stage COPD. It means her lung

  disease is in its final chapter. The oxygen is merely buying

  us all some time. Soon – we don’t quite know when – no

  amount of oxygen will be enough.

  Meantime, an ‘episode’ can see temporary transfer to

  hospital. The nursing home can cope with day-to-day

  care but doesn’t seem to want to be held responsible for

  anything too serious.

  We are equipped to handle your mother’s condition while

  she is stable, the senior nurse told us in a meeting. But you know that we don’t offer end-of-life care here. We’ll need to talk again if… well – when things change.

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  I Will Make You Pay

  So, quietly, Leanne and I have been looking into the

  local hospice and arguing over whether London – near

  my sister – would be better. Working out secretly where

  my mother should die.

  I try so hard to put that future, that inevitability out

  of my mind – to spend every visit in the present – but it

  is a trick I have yet to learn. The cruel paradox for me

  especially is my mother is still so very beautiful; she looks strangely, almost hauntingly well in other ways. Her skin

  is good. Her hair shines.

  I think of her packet of cigarettes on the kitchen

  counter and want to go back in time and snatch them

  away from her.

  Instead I chatter, and when Leanne has finished the

  flowers, I suggest we find a nice spot in the garden so

  that I can read to her.

  ‘This book. Yes?’ I pick up the faded copy of Wuthering

  Heights and check to find a postcard marking the chapter I reached when I visited last week.

  Leanne fetches a wheelchair from the corridor and we

  transfer my mother easily between us, placing the oxygen

  in the little pouch hanging off the back of the chair. We

  weave our way out of the room and along the corridors, to

  fetch a nurse who uses her pass to let us out into the garden.

  Good, I think. They are true to their word; being

  careful about security.

  Outside we find a bench for me and Leanne, overlook-

  ing the fountain centrepiece of the garden. A spot where

  you can just catch sight of the sea in the distance. And

  so I pick up where I left off last week. It is the chapter

  where Heathcliff runs away.

  We stay in the garden for maybe an hour – Leanne

  fetching tea and biscuits as an interlude. My mother’s

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  Teresa Driscoll

  breathing is still laboured but seems a tad steadier outside.

  Maybe that is my imagination, or maybe it is because she

  knows that she will not have to talk. Or walk. Or do

  anything much. She just watches the fountain and listens

  to me reading.

  ‘Nice breeze today.’

  One, two, three…

  ‘Yes, Mum. Just enjoy it. Close your eyes if you like.

  Just listen. You know me. I love the sound of my own

  voice.’

  A smile. My mother has the loveliest smile…

  * * *

  Later, back at the Dorset house, I have the words of

  Wuthering Heights mixed with the tinkle of the fountain, all echoing in my head as a text comes in from Tom, urging me not to be late for the private investigator.

  I turn the words over in my head. Private investigator.

  I have already played the journalist. Checked him out

  online. Matthew Hill made a bit of a name for himself,

  helping to solve the case of a missing girl a while back.

  I can’t help wondering what precisely Tom thinks he is

  going to be able to do to help me.

  But this is not just about me now. I close my eyes to

  picture peonies. The single flower on my car and the

  severed flowers in the box. I need to ask this man – this

  Matthew Hill – if he can keep my mother safe too.

  48

  CHAPTER EIGHT

  Him – before

  ‘Are you OK?’

  In his dream there is someone shaking him awake

  in his cave. He thinks it must be his gran. She went out

  much earlier. But when he opens his eyes, it’s not the cave.

  The room is too bright. A searing light hurting his eyes.

  ‘It’s all right. You just fell asleep again.’

  The voice is familiar and he looks up. Not a cave – but

  his classroom. Miss Henderley. She is sitting on the edge

  of one of the desks. Everyone else is gone.

  He looks around the room, not understanding. Next

  he sees three faces at the window, laughing at him. Bruce

  and Luke and Helena. Miss Henderley turns and waves

  her arms to signal that they should move away.

  ‘Don’t take any notice of them.’

  ‘Is it home time? Do I need to go to after-school club?’

  He sits up straight. His arm feels a bit weird where his

  head was leaning on it. Also there is an odd lump right

  in the middle of his stomach. As if he has eaten his food

&nb
sp; too fast. He can’t work out if he is hungry. Or too full.

  Or has a tummy ache.

  ‘It’s OK. You’re not in trouble. I just want to have a

  little chat before you go out to play.’

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  Teresa Driscoll

  ‘I didn’t fall asleep. I was pretending.’

  ‘It’s OK. Like I said, you’re not in any kind of trouble.

  It’s just I’m a bit worried about you. It’s not the first time this has happened. Falling asleep in class, I mean. Is there

  something wrong? Something at home? Is there anything

  you’re worried about? Want to talk to me about? I was

  wondering if we should maybe have a little chat with

  your gran when she picks you up.’

  ‘No. Don’t do that. I’m fine.’

  ‘I had a look in the book and it’s always Thursdays

  that you seem so tired. Do you do sport or something

  on a Wednesday evening. Swimming lessons? Football?

  Something like that? Or do you stay up watching some-

  thing on television on a Wednesday night?’

  ‘No. Nothing like that. I’m fine. Can I go out to play

  now?’

  ‘So – is it maths? Are you worried about that? I know

  we do a lot of maths on Thursdays but you’re honestly

  doing really well with your work. Your reading and your

  maths are both very good. There’s really nothing for you

  to worry about. I want you to know that.’

  ‘I’m not worried.’ This is a lie. He’s worried about a

  million things.

  He looks down to see sauce on his school sweatshirt.

  He remembers now that they had shepherd’s pie for lunch.

  So it is the afternoon. Afternoon break. Nearly home

  time. Yes. After-school club. Then home.

  He is all at once remembering other things too. The

  banging on the door last night. Dark. Late.

  You in there? Someone in there? I know you’re in there…

  He remembers suddenly needing the toilet when the

  banging started. Sitting in his bed and being worried

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  I Will Make You Pay

  that he might make a mess. Thinking about it makes the

  feeling come back.

  ‘I need the toilet, please.’

  ‘Off you go, then. I’ll see you later. After-school club.’

  Miss Henderley pauses. ‘I’ll look out for your gran. Tell

  her how well you’re doing with your work.’

  * * *

  The rest of the afternoon seems to go on for ages. The

  after-school club also drags. He normally likes it but not